Interpretive Traditions

Interpretive Traditions

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5785 Program
Parashat haShavua
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'24-'25: Performance #10
What glitters, what's gold, what might shimmer if not for the darkness... - Notes on the Royal Concertgebouw Orchestra's performance of Schoenberg's…
'24-'25: Performance #9
If I were a librettist, I'd write one long song just leading up, and one even longer leading down... - Notes on Weiser's and Fleischmann's…
'24-'25: Performance #8
Of Metronomes and Matters of Interpretation - Notes on Susanna Mälkki's conducting of Strauss and Ravel at the New York Philharmonic, as well as a piece…
'24-'25: Performance #7
Newness, with all its thrill and folly. - Notes on the American Composers Orchestra "New Virtuoso: Borders" evening, featuring New Music from Michael…
'24-'25: Performance #6
Modern Opera, Done Right - Notes on Barnes' and Mouton's in-development opera, SHE WHO DARED, based on the InsightALT workshop in the DiMenna Center.

October 2024

'24-'25: Performance #5
The Extra Mile, Paved with Timidity - Notes on the Ndlovu Youth Choir at Carnegie Hall, with some comments on the tension between African art and…
'24-'25: Performance #4
The Not-so-Small Miracle of Self-Fluency - Notes on Abel Selaocoe and the Bantu Ensemble at Carnegie Hall
In the Beginning of God's Conducting of the Heavens and of the Earth...
A virtual music program ordered to comment on and explore the weekly Torah portion, Parashat Bereishit, for the Hebrew year 5785.
Introducing the 5785 Season
My aspirations for this project, both positive and negative. - And so it begins! Here, I am dragged by the toe into the inevitable, like a drop into the…
'24-'25: Performance #3
High-Definition Environmental Humanities or: Renée Fleming Makes Me Cry, But Not About Nature - Notes on New Jersey Symphony's season opener, featuring…

September 2024

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